77 bars of 4/4 at a walking 78 BPM, 3:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-77.
The beat the song is built on is a 2-bar phrase, played through bars 21-27, 42-48 and 62-68, and 3 more places -- 35.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21 22
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |--o-o-o-o-o-o-o-|o-o-o-o-o-o-ox--|
SD |----x--x----x---|----x-------x---|
BD |x-x-----x-x-----|x-x-----x-x--x--|5 fills to learn, played 7 times: bars 4, 29, 37, 61, 69, 71 and 1 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
77 bars, about 3:57 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 4, 29, 37, 61, 69, 71 and 1 more.