181 bars of 4/4 at 140 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, snare through bars 8-28, toms through bars 29-30, hi-hat through bars 31-46, toms through bars 47-52 and snare through bars 53-66, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 8-17 -- 5.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8
1.......2.......3.......4.......
SD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|
BD |x-------x-------x-------x-------|23 fills to learn, played 63 times: bars 26, 29, 30, 31, 32, 41 and 57 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
181 bars, about 4:36 at the written tempo. The course breaks it into 71 exercises over 27 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 63 times: bars 26, 29, 30, 31, 32, 41 and 57 more.