209 bars of 4/4 at 110 BPM, about 7:36 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-15, hi-hat through bars 16-64, snare through bars 65-80, hi-hat through bars 81-128 and snare through bars 129-161, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 17-19, 21 and 23-27, and 12 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--------x-------|
BD |--x-x-----------|17 fills to learn, played 25 times: bars 8, 48, 56, 64, 72, 80 and 19 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
209 bars, about 7:36 at the written tempo. The course breaks it into 46 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 25 times: bars 8, 48, 56, 64, 72, 80 and 19 more.