167 bars at 158 BPM -- fast, and 4:14 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-8, hi-hat through bars 9-31, snare through bars 32-44, hi-hat through bars 45-59, snare through bars 60-78 and hi-hat through bars 79-84, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 25-27, 29-30 and 42, and 12 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |xxx---xxx-x---x-|19 fills to learn, played 38 times: bars 7, 8, 12, 15, 35, 40 and 32 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
158 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
167 bars, about 4:14 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 38 times: bars 7, 8, 12, 15, 35, 40 and 32 more.