88 bars of 4/4 at 120 BPM, about 2:56 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-8 and hi-hat through bars 9-88.
The beat the song is built on is one bar, played through bars 9-60 and 69-88 -- 86.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1.......2.......3.......4.......
CC |------------------------x-------|
HH |x---x---x---x---x---x---o-------|
SD |--------x-----xx--x-----x-------|
BD |x-----x---------x-----x-----x---|2 fills to learn, played 2 times: bars 8 and 68.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
88 bars, about 2:56 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 31 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 8 and 68.