127 bars of 4/4 at a walking 107 BPM, 4:46 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-10, kick and crashes through bars 11-16, snare through bars 17-18, kick and crashes through bars 19-26, snare through bars 27-28 and hi-hat through bars 29-36, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 43-45, 47-49 and 51-53, and 7 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
45
1e+a2e+a3e+a4e+a
HH |x-oxx-oxx-oxx-ox|
SD |----x-------x---|
BD |x---x---x---x---|3 fills to learn, played 11 times: bars 16, 17, 18, 28, 29, 30 and 5 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
127 bars, about 4:46 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 11 times: bars 16, 17, 18, 28, 29, 30 and 5 more.