172 bars of 4/4 at 144 BPM, about 4:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bars 1-8, hi-hat through bars 9-16, snare through bars 17-34, hi-hat through bars 35-47, ride through bars 48-52 and hi-hat through bars 53-92, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 18-19, 21-23 and 54-55, and 6 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18
1...............2...............3...............4...............
CC |x---------------x---------------x---------------x---------------|
SD |--------------------------------x-------------------------------|
BD |x---x---x---x---x---x---x---x---x---x---x---x---x---x---x---x---|19 fills to learn, played 34 times: bars 8, 16, 17, 20, 24, 32 and 28 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 57 out of 100; the rest of the number is everything around it.
172 bars, about 4:48 at the written tempo. The course breaks it into 73 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 34 times: bars 8, 16, 17, 20, 24, 32 and 28 more.