217 bars at 210 BPM -- fast, and 4:08 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-5, kick and crashes through bars 6-12, hi-hat through bars 13-40, snare through bars 41-44, hi-hat through bars 45-49 and silence through bars 50-52, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 57-59, 61-63 and 65-67, and 15 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
57
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-----x---x-x---|16 fills to learn, played 43 times: bars 12, 20, 28, 43, 44, 46 and 37 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
217 bars, about 4:08 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 43 times: bars 12, 20, 28, 43, 44, 46 and 37 more.