67 bars of 6/4 -- not four -- at 98 BPM, 4:03 of playing on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
37 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
ride through bars 1-22, kick and crashes through bars 23-25, hi-hat through bars 26-45 and silence through bars 46-67.
The beat the song is built on is one bar, played through bars 1-5, 7-8 and 11-12, and 2 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1e+a2e+a3e+a4e+a5e+a6e+a
RD |x-x-x-x-x-x-x-x-x-x-x-x-|
SD |------------x-----------|
BD |x-----------------------|2 fills to learn, played 4 times: bars 10, 18, 29 and 37.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
67 bars, about 4:03 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 10, 18, 29 and 37.