74 bars of 4/4 at a walking 90 BPM, 3:16 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
snare through bar 1, hi-hat through bars 2-21, snare through bars 22-25, hi-hat through bars 26-41, kick and crashes through bars 42-58 and snare through bars 59-74.
The beat the song is built on is one bar, played through bars 2-17 and 26-40 -- 43.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1.......2.......3.......4.......
HH |x---x---x---x---x-------x---o---|
SD |--------x-----xx--------x-------|
FT |x---------------x---x-----------|
BD |x---------------x---x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 48 out of 100; the rest of the number is everything around it.
74 bars, about 3:16 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 21 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.