96 bars of 4/4 at 138 BPM, about 2:47 of playing, on crash, hi-hat, snare, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 3-28, snare through bars 29-30, toms through bars 31-57, snare through bars 58-59, toms through bars 60-61 and snare through bars 62-63, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 3-27, 31-34 and 38-46, and 6 more places -- 60.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
4
1e+a2e+a3e+a4e+a
FT |xxxxxxxxxxxxxxxx|
BD |x---x---x---x---|6 fills to learn, played 16 times: bars 28, 30, 57, 61, 63, 71 and 10 more.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
96 bars, about 2:47 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 16 times: bars 28, 30, 57, 61, 63, 71 and 10 more.