123 bars of 4/4 at 115 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 2-22, hi-hat through bars 23-42, ride through bars 43-46, hi-hat through bars 47-57, kick and crashes through bars 58-60 and hi-hat through bars 61-76, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 26-32, 34-35 and 37-40, and 10 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
27
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x---------x-----|4 fills to learn, played 8 times: bars 23, 24, 25, 41, 60, 76 and 2 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
123 bars, about 4:16 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 23, 24, 25, 41, 60, 76 and 2 more.