168 bars at 176 BPM -- fast, and 3:49 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5, kick and crashes through bars 6-7, snare through bars 8-24, hi-hat through bars 25-32, snare through bars 33-73 and silence through bars 74-76, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 137-143, 145-147 and 149-151, and 2 more places -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
137
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x---x---x---|12 fills to learn, played 20 times: bars 24, 32, 40, 61, 64, 68 and 14 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
176 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
168 bars, about 3:49 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 24, 32, 40, 61, 64, 68 and 14 more.