226 bars at 185 BPM -- fast, and 5:01 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-13, kick and crashes through bars 14-19, toms through bars 20-21, silence through bars 22-26, toms through bars 27-56 and hi-hat through bars 57-80, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 65-67, 69-71 and 73-75, and 23 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
65
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|14 fills to learn, played 36 times: bars 20, 32, 33, 61, 62, 63 and 30 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
226 bars, about 5:01 at the written tempo. The course breaks it into 61 exercises over 15 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 36 times: bars 20, 32, 33, 61, 62, 63 and 30 more.