90 bars of 4/4 at a walking 92 BPM, 3:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-6, hi-hat through bars 7-36, kick and crashes through bars 37-41, silence through bars 42-48, hi-hat through bars 49-72 and silence through bars 73-77, and 1 more change after that.
The beat the song is built on is one bar, played through bars 23, 27-29 and 31-32, and 7 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-----x-x-----x-|11 fills to learn, played 18 times: bars 1, 2, 3, 4, 22, 26 and 12 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
90 bars, about 3:57 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 1, 2, 3, 4, 22, 26 and 12 more.