81 bars of 4/4 at a walking 89 BPM, 3:40 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-8, hi-hat through bars 9-20, silence through bars 21-23, snare through bars 24-31 and hi-hat through bars 32-43, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 12 more places -- 67.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
25
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-x-----|6 fills to learn, played 13 times: bars 12, 16, 24, 28, 35, 39 and 7 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
89 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
81 bars, about 3:40 at the written tempo. The course breaks it into 22 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 12, 16, 24, 28, 35, 39 and 7 more.