83 bars of 4/4 at 114 BPM, about 2:55 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
ride through bars 2-7, snare through bars 8-13, ride through bars 14-25, snare through bars 26-31, ride through bars 32-46 and snare through bars 47-49, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 2-7, 14 and 20-25, and 6 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3
1e+a2e+a3e+a4e+a
CC |----x-----------|
RD |x-x---x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|1 fill to learn, played 6 times: bars 50, 51, 52, 53, 54 and 55.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
83 bars, about 2:55 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 25 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 6 times: bars 50, 51, 52, 53, 54 and 55.