319 bars at 180 BPM -- fast, and 7:21 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, snare through bars 4-5, silence through bars 6-8, snare through bars 9-10, silence through bars 11-13 and snare through bars 14-15, and 35 more changes after that.
The beat the song is built on is one bar, played through bars 183-185, 187-189 and 191-193, and 2 more places -- 6.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
184
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |--------x---------------x-------|
BD |----x---------------x-------x---|19 fills to learn, played 38 times: bars 71, 76, 88, 89, 91, 93 and 32 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
319 bars, about 7:21 at the written tempo. The course breaks it into 69 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 38 times: bars 71, 76, 88, 89, 91, 93 and 32 more.