160 bars of 4/4 at 147 BPM, about 4:21 of playing, on crash, hi-hat, snare and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-32, snare through bars 33-36, hi-hat through bars 37-40, snare through bars 41-44 and hi-hat through bars 45-64, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 25-31, and 14 more places -- 52% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
160 bars, about 4:21 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.