70 bars of 4/4 at a walking 78 BPM, 3:34 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on how much of it falls off the beat.
hi-hat through bars 1-14, toms through bars 15-16, hi-hat through bars 17-38, toms through bars 39-40, hi-hat through bars 41-53 and silence through bars 54-57, and 1 more change after that.
The beat the song is built on is one bar, played through bars 4, 8 and 12, and 7 more places -- 53.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1.....2.....3.....4.....
HH |x-x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x---------x-x---x-------|1 fill to learn, played 4 times: bars 15, 16, 39 and 40.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 56 out of 100; the rest of the number is everything around it.
70 bars, about 3:34 at the written tempo. The course breaks it into 12 exercises over 5 sittings, about 22 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 15, 16, 39 and 40.