64 bars of 4/4 at a walking 102 BPM, 2:31 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-25, snare through bars 26-33, hi-hat through bars 34-53, snare through bars 54-61 and silence through bars 62-64.
The beat the song is built on is one bar, played through bars 9-24, 35-36 and 38-51 -- 59.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |-g--x--g-g--x---|
BD |x--x-x--x-x--x--|2 fills to learn, played 4 times: bars 25, 33, 53 and 64.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
64 bars, about 2:31 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 25, 33, 53 and 64.