181 bars of 4/4 at 120 BPM, about 5:48 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 3-5, snare through bars 6-7, hi-hat through bars 8-25, snare through bars 26-29, hi-hat through bars 30-56 and silence through bars 57-59, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 13, 55 and 69, and 4 more places -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
55
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|19 fills to learn, played 48 times: bars 3, 4, 7, 10, 16, 17 and 42 more.
It cuts the song into 66 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
181 bars, about 5:48 at the written tempo. The course breaks it into 66 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 48 times: bars 3, 4, 7, 10, 16, 17 and 42 more.