138 bars of 4/4 at a walking 85 BPM, 5:58 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-8, snare through bars 9-20, hi-hat through bars 21-30, snare through bars 31-42, hi-hat through bars 43-94 and snare through bars 95-107, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1-8, 21-30 and 43-80 -- 40.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e+a
CC |----------x-x-x-|
HH |x-x-x-x-x-------|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
138 bars, about 5:58 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.