269 bars of 4/4 at 150 BPM, about 7:10 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
65 out of 100: demanding, mostly on how many notes a second it asks for.
The time is kept on the toms the whole way through.
The beat the song is built on is one bar, played through bars 19-56, 73-94 and 129-184, and 2 more places -- 53.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1.....2.....3.....4.....
CC |------------------x---x-|
SD |----x-----x---x-x---x---|
T1 |------x---x-----------x-|
T2 |----x---x-----x---------|
FT |--x---------x-----------|
BD |x-----------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 47 out of 100; the rest of the number is everything around it.
269 bars, about 7:10 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 23 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.