108 bars of 3/4 -- not four -- at 88 BPM, 3:38 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, kick and crashes through bars 17-24, snare through bars 25-38, hi-hat through bars 39-75, snare through bars 76-85 and hi-hat through bars 86-99, and 1 more change after that.
The beat the song is built on is one bar, played through bars 60-62, 64-66 and 68-70, and 10 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
60
1e+a2e+a3e+a
CC |x-----------|
HH |--o-o-o-o-o-|
SD |------x-----|
BD |x-----------|8 fills to learn, played 10 times: bars 38, 59, 73, 75, 79, 83 and 4 more.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
108 bars, about 3:38 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 38, 59, 73, 75, 79, 83 and 4 more.