70 bars of 4/4 at a walking 80 BPM, 4:10 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-9, kick and crashes through bars 10-16, hi-hat through bars 17-26, ride through bars 27-28, hi-hat through bars 29-30 and ride through bars 31-34, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 9-15 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1.......2.......3.......4.......
HF |x-------x-------x-------x-------|7 fills to learn, played 28 times: bars 16, 20, 25, 27, 28, 30 and 22 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
70 bars, about 4:10 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 16, 20, 25, 27, 28, 30 and 22 more.