96 bars at 202 BPM -- fast, and 1:54 of it without a break -- on crash, ride, hi-hat, snare, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-8, hi-hat through bars 9-70, snare through bars 71-80, ride through bars 81-84 and snare through bars 85-96.
The beat the song is built on is a 2-bar phrase, played through bars 9-31, 33-35 and 37-39, and 11 more places -- 61.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----x-----------|--------------x-|
HH |--------o---o---|o---o---o---o---|
SD |----x-------x---|----x-------x---|
BD |--x---x-x-x-x-x-|x-x-x-x-x-x-x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
202 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
96 bars, about 1:54 at the written tempo. The course breaks it into 13 exercises over 6 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.