104 bars of 4/4 at 127 BPM, about 3:17 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-5, snare through bars 6-20, kick and crashes through bars 21-28, snare through bars 29-30, toms through bars 31-37 and hi-hat through bars 38-53, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 29-35, 62-64 and 66-68, and 4 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
FT |---x------------|
BD |x---x-----------|12 fills to learn, played 18 times: bars 36, 45, 53, 57, 61, 65 and 12 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
104 bars, about 3:17 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 36, 45, 53, 57, 61, 65 and 12 more.