127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on how much of it falls off the beat.
hi-hat through bars 1-16, silence through bars 17-25, snare through bars 26-30, hi-hat through bars 31-50, snare through bars 51-56 and silence through bars 57-58, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 31-35, 41-43 and 78-81, and 4 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
78
1...............2...............3...............4...............
CC |x---------------x---------------x---------------x---------------|
SD |----------------x-------------------------------x---------------|
BD |x-------------------------------x-------------------------------|6 fills to learn, played 8 times: bars 50, 66, 77, 86, 90, 108 and 2 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 43 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 50, 66, 77, 86, 90, 108 and 2 more.