190 bars of 4/4 at 125 BPM, about 6:05 of playing, on crash, hi-hat, snare, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-32, snare through bars 33-48, hi-hat through bars 49-72, snare through bars 73-104, hi-hat through bars 105-128 and snare through bars 129-190.
The beat the song is built on is one bar, played through bars 31, 33 and 35, and 40 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x---------x-|3 fills to learn, played 10 times: bars 36, 44, 72, 80, 88, 96 and 4 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
190 bars, about 6:05 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 10 times: bars 36, 44, 72, 80, 88, 96 and 4 more.