178 bars at 204 BPM -- fast, and 3:28 of it without a break -- on crash, ride, hi-hat, snare, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-13, hi-hat through bars 14-29, snare through bars 30-44, kick and crashes through bars 45-54, ride through bars 55-70 and silence through bars 71-90, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 104-106, 108-110 and 112-114, and 5 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
105
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|17 fills to learn, played 36 times: bars 1, 2, 7, 11, 12, 13 and 30 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
204 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 84 out of 100; the rest of the number is everything around it.
178 bars, about 3:28 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 36 times: bars 1, 2, 7, 11, 12, 13 and 30 more.