77 bars of 4/4 at 120 BPM, about 2:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, snare through bars 7-16, hi-hat through bars 17-34, snare through bars 35-42, hi-hat through bars 43-61 and snare through bars 62-77.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 13-15, and 5 more places -- 37.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5 6
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
HH |----------------|----------o---o-|
SD |----x-------x---|----x-------x---|
BD |x-------x-------|x-------x-x---x-|7 fills to learn, played 12 times: bars 8, 12, 16, 20, 24, 32 and 6 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
77 bars, about 2:34 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 8, 12, 16, 20, 24, 32 and 6 more.