142 bars of 4/4 at 120 BPM, about 4:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-20, silence through bars 21-29, hi-hat through bars 30-34, snare through bars 35-46 and hi-hat through bars 47-52, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 10-14, 30-34 and 47, and 9 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10
1.....2.....3.....4.....
HH |x--x--x--x--x--x--x--x--|
SD |------------x-----------|
BD |x-----------------------|2 fills to learn, played 9 times: bars 131, 134, 135, 136, 137, 138 and 3 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
142 bars, about 4:44 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 9 times: bars 131, 134, 135, 136, 137, 138 and 3 more.