107 bars of 4/4 at a walking 96 BPM, 4:28 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-22, ride through bars 23-38, hi-hat through bars 39-54, ride through bars 55-70 and hi-hat through bars 71-78, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 23, 25 and 31, and 18 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23
1.......2.......3.......4.......
CC |x-------------------------------|
RD |----x---x---x---x---x---x---x---|
SD |------x-----x-----x-----x-------|
BD |x---------x---------x-------x---|6 fills to learn, played 17 times: bars 6, 30, 32, 34, 36, 38 and 11 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
107 bars, about 4:28 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 6, 30, 32, 34, 36, 38 and 11 more.