357 bars of 4/4 at 123 BPM, about 11:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-10, hi-hat through bars 11-41, ride through bars 42-49, hi-hat through bars 50-84, ride through bars 85-92 and hi-hat through bars 93-101, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 12-14, 24-30 and 32-39, and 18 more places -- 32.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--X---X---X---X-|
BD |x---x---x---x---|29 fills to learn, played 59 times: bars 11, 15, 23, 31, 40, 41 and 53 more.
It cuts the song into 93 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
357 bars, about 11:37 at the written tempo. The course breaks it into 93 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 59 times: bars 11, 15, 23, 31, 40, 41 and 53 more.