242 bars at 235 BPM -- fast, and 4:07 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-5, kick and crashes through bars 6-7, toms through bars 8-9, ride through bars 10-16, snare through bars 17-33 and hi-hat through bars 34-48, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 18-23, 26-31 and 41, and 11 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18
1e+a2e+a3e+a4e+a
CC |X-------x-------|
SD |--------x-------|
BD |x-x-x-x-x-x-x-x-|17 fills to learn, played 51 times: bars 5, 8, 9, 17, 24, 25 and 45 more.
It cuts the song into 63 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
235 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
242 bars, about 4:07 at the written tempo. The course breaks it into 63 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 51 times: bars 5, 8, 9, 17, 24, 25 and 45 more.