244 bars at 184 BPM -- fast, and 5:32 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-14, silence through bars 15-18, ride through bars 19-25, hi-hat through bars 26-41, snare through bars 42-50 and ride through bars 51-57, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 130-137, 146-152 and 162-168 -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
131
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|14 fills to learn, played 46 times: bars 6, 12, 24, 25, 33, 42 and 40 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
184 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
244 bars, about 5:32 at the written tempo. The course breaks it into 64 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 46 times: bars 6, 12, 24, 25, 33, 42 and 40 more.