260 bars of 4/4 at 120 BPM, about 8:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-32, hi-hat through bars 33-64, ride through bars 65-72, hi-hat through bars 73-116, ride through bars 117-124 and hi-hat through bars 125-140, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 73-87, 125-131 and 133-135, and 17 more places -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
73
1.......2.......3.......4.......
CC |x-------------------------------|
HH |--------o-------o-------o-------|
SD |----------------x---------------|
BD |x-------------------------------|25 fills to learn, played 44 times: bars 32, 36, 56, 72, 88, 89 and 38 more.
It cuts the song into 66 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
260 bars, about 8:06 at the written tempo. The course breaks it into 66 exercises over 17 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 44 times: bars 32, 36, 56, 72, 88, 89 and 38 more.