255 bars at 224 BPM -- fast, and 4:33 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-6, snare through bars 7-8, hi-hat through bars 9-14, snare through bars 15-34, hi-hat through bars 35-42 and snare through bars 43-49, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5-6 and 9-11, and 34 more places -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1.......2.......3.......4.......
CC |x---------------x---------------|
SD |----------------X---------------|
BD |x---x---x---x---x---x---x---x---|12 fills to learn, played 19 times: bars 12, 25, 34, 42, 74, 86 and 13 more.
It cuts the song into 80 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
224 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
255 bars, about 4:33 at the written tempo. The course breaks it into 80 exercises over 22 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 12, 25, 34, 42, 74, 86 and 13 more.