96 bars of 4/4 at 120 BPM, about 3:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-4, hi-hat through bars 5-28, snare through bars 29-36, hi-hat through bars 37-56, snare through bars 57-64 and silence through bars 65-72, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 14 more places -- 56.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
30
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------------x---------x-|
BD |x---x-----x-----x-------|4 fills to learn, played 7 times: bars 1, 2, 3, 4, 48, 76 and 1 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
96 bars, about 3:12 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 1, 2, 3, 4, 48, 76 and 1 more.