67 bars of 4/4 at 131 BPM, about 2:03 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, hi-hat through bars 6-13, snare through bars 14-17, hi-hat through bars 18-31, silence through bars 32-47 and hi-hat through bars 48-55, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 8-12, 18-27 and 48-55 -- 52.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
8 9
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |--------x-------|--------x-------|
BD |x-----------x---|----x-----------|3 fills to learn, played 4 times: bars 13, 59, 66 and 67.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
67 bars, about 2:03 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 13, 59, 66 and 67.