136 bars of 4/4 at 113 BPM, about 4:49 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, toms through bars 10-14, kick and crashes through bars 15-18, snare through bars 19-26, hi-hat through bars 27-40 and toms through bars 41-42, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 36, and 10 more places -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
36
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|12 fills to learn, played 28 times: bars 26, 34, 35, 37, 39, 41 and 22 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
136 bars, about 4:49 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 26, 34, 35, 37, 39, 41 and 22 more.