327 bars at 174 BPM -- fast, and 7:31 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-8, snare through bars 9-22, hi-hat through bars 23-24, snare through bars 25-41, silence through bars 42-56 and hi-hat through bars 57-84, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 249-251, 253-257 and 259, and 17 more places -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
249
1e+a2e+a3e+a4e+a
CC |x---g---x---g---|
SD |--------x-------|
BD |x-----x---------|
HF |x---x---x---x---|11 fills to learn, played 18 times: bars 10, 18, 25, 26, 28, 30 and 12 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
174 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
327 bars, about 7:31 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 10, 18, 25, 26, 28, 30 and 12 more.