220 bars at 164 BPM -- fast, and 5:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, kick and crashes through bars 17-49, silence through bars 50-52, kick and crashes through bars 53-56, hi-hat through bars 57-64 and ride through bars 65-72, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 73-78, 81-86 and 123-128, and 3 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
75
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|22 fills to learn, played 61 times: bars 16, 32, 36, 44, 48, 53 and 55 more.
It cuts the song into 59 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
220 bars, about 5:22 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 61 times: bars 16, 32, 36, 44, 48, 53 and 55 more.