206 bars of 4/4 at 133 BPM, about 6:12 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-19, toms through bars 20-47, kick and crashes through bars 48-51, snare through bars 52-55, hi-hat through bars 56-71 and kick and crashes through bars 72-73, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 56-62, 64-70 and 74-79, and 9 more places -- 49.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
75
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |--------x---------------x-------|
BD |x---------------x-----x---------|9 fills to learn, played 18 times: bars 31, 39, 47, 63, 71, 80 and 12 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
206 bars, about 6:12 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 31, 39, 47, 63, 71, 80 and 12 more.