206 bars of 4/4 at 112 BPM, about 7:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-41, silence through bars 42-55, hi-hat through bars 56-81, ride through bars 82-86, hi-hat through bars 87-93 and silence through bars 94-97, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-19, and 6 more places -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |-----x------x---|
BD |x--x---x--xx-x--|19 fills to learn, played 87 times: bars 1, 2, 3, 4, 5, 9 and 81 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
206 bars, about 7:32 at the written tempo. The course breaks it into 74 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 87 times: bars 1, 2, 3, 4, 5, 9 and 81 more.