128 bars of 4/4 at 134 BPM, about 3:49 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 3-70, hi-hat through bars 71-78, toms through bars 79-120 and hi-hat through bars 121-128.
The beat the song is built on is one bar, played through bars 19-30, 41-56 and 68-69, and 2 more places -- 41.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1e+a2e+a3e+a4e+a
SD |x---------x-----|
FT |x-x-x-x-x-x-x-x-|
BD |x---x---x---x---|2 fills to learn, played 2 times: bars 70 and 124.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
128 bars, about 3:49 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 70 and 124.