88 bars of 4/4 at a walking 96 BPM, 3:40 of playing, on ride, hi-hat, snare and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-52, hi-hat through bars 53-75, silence through bars 76-78 and ride through bars 79-88.
The beat the song is built on is one bar, played through bars 19-26, 29-35 and 37-46, and 1 more place -- 40.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x------x-xx----x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
88 bars, about 3:40 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.