270 bars of 4/4 at 135 BPM, about 7:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-10, hi-hat through bars 11-15, kick and crashes through bars 16-24, hi-hat through bars 25-75, snare through bars 76-81 and hi-hat through bars 82-155, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 82-88, 90-96 and 98-104, and 12 more places -- 36.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
85
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---xx--|18 fills to learn, played 25 times: bars 24, 74, 75, 113, 129, 147 and 19 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
270 bars, about 7:58 at the written tempo. The course breaks it into 62 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 25 times: bars 24, 74, 75, 113, 129, 147 and 19 more.