184 bars of 4/4 at 120 BPM, about 6:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-35, ride through bars 36-50, hi-hat through bars 51-60, ride through bars 61-75, hi-hat through bars 76-85 and ride through bars 86-90, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 36-50, 61-75 and 86-90, and 6 more places -- 40.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
36
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
RD |x---x---x---x---|
SD |x---x---x-x-x-x-|
BD |x---------x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
184 bars, about 6:08 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.